Wednesday, August 28, 2013

Joe Golem and the Drowning City by Mike Mignola and Christopher Golden

Joe Golem and the Drowning City: An Illustrated NovelJoe Golem and the Drowning City: An Illustrated Novel by Mike Mignola

My rating: 4 of 5 stars

Joe Golem and the Drowning City is a lovely sort of homage to HP Lovecraft and the Jewish golem folklore tradition. One wonders how they can exist together harmoniously in the same work, but Mignola and Golden do exactly that.

New York City is a very different place from the one we know and love in this book.  Some sort of ecological disaster turned half of the city into what is essentially a Venetian-like, water-logged environment.  Downtown flooded, and those who lived there are cut off from the denizens of Uptown and forced to fend for themselves. Like humans are apt and known to do, they adapt to a semi-aquatic lifestyle, living on the top floors of the taller buildings, constructing bridges and mazeways between buildings and using watercrafts to navigate the flooded streets.

This novel is initially about two of its citizenry:  An elderly magician named Felix Orlov, who can communicate with the dead, and his unofficially adopted daughter, fourteen-year-old, redheaded, former street kid, Molly McHugh.  Their somewhat harmonious lifestyle is brutally interrupted when strange, inhuman creatures abduct Felix, failing to capture Molly when she is saved by a big, rough-looking man named Joe.  Joe is special, more than they realize initially. His colleague is the ancient British gentleman, Simon Church, a man who has adapted his failing organs with mechanical parts (added a steampunk-like flair to the story). He also uses a mix of science, machinery, and magic to monitor the supernatural barometer of the city. He happens to detect a very large spike in activity the day that Felix is kidnapped, and Molly teams up with them both to find out what happened to Felix and to save him and save the world in the process.

This is a rather solemn tale.  Joe's past is very tortured, and along with Simon's regrets about the past, and Felix's special legacy, the storyline is fairly dark.  Molly is a spunky and energetic young woman, who's seen more bad things than a person of her age should. She has trouble trusting, with good reason. We feel her pain as she is helpless against forces that pull the man who is as close to a father to her as any man could be away from her by events beyond their control.

In addition to the somber tone, the Lovecraft-type storyline adds a cosmic horror to the story.  While I am personally a bit alienated by Lovecraft's concept of an ancient, extra-dimensional cosmos and its denizens (which are indifferent to our moral concepts and even our right to exist as humanity),  Mignola and Golden add an emotional context that makes this typical idea more relatable and almost heartfelt.

One of the downsides to this book is the villain truly never feels invincible or formidable. He comes off more as a petulant child who is playing with matches (dabbling with magics and science far beyond his ken), than a disturbing force for evil. He felt like a paper tiger, which is a bit of a pet peeve of mine.  I need a villain who is truly formidable--one that I question if the hero will be able to prevail against.   His creations were disgusting, and while repulsive and off-putting, they don't add much in a positive way to the creepy tone of the book. 

Despite being somewhat disappointed with the villain, I was drawn to Joe's character, his painful struggle, his search for identity, and the integration of past and future. I also liked Molly. She feels like 'me' in the sense that she is the everyday person put in bizarre and non-ordinary circumstances. I think a good weird fiction tale needs that kind of protagonist.

Mignola just does it for me, with his stories and his creations. His collaborations with Golden have been unilaterally successful so far, and I add this one to the list.  I hope to see more of Joe Golem and Molly McHugh, and more of the Drowning City.  Recommended to weird fiction readers, and avowed fans of classic horror motifs and loving homages.

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