Showing posts with label Japan in Fiction. Show all posts
Showing posts with label Japan in Fiction. Show all posts

Saturday, January 28, 2017

Lafcadio Hearn's The Faceless Ghost and Other Macabre Tales from Japan: A Graphic Novel

Lafcadio Hearn's Lafcadio Hearn's "The Faceless Ghost" and Other Macabre Tales from Japan: A Graphic Novel by Sean Michael Wilson
My rating: 4 of 5 stars

Beautiful art with eerie storytelling. I wish this was a series. I would so keep reading these. I still intend to read the original stories, but this was great as a visual format to some great classic horror I hadn't yet got around to reading except for one very scary story by Hearn I read in an anthology. If you like Japanese horror movies, check out the source material.

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Tuesday, August 16, 2016

His Revenge Baby by Theodora Taylor

His Revenge Baby: 50 Loving States, WashingtonHis Revenge Baby: 50 Loving States, Washington by Theodora Taylor
My rating: 4 of 5 stars

I will be blatantly honest. If I was rating this book by part I, it would be getting three stars and nothing more. However, the book in whole gets four. The beginning of this book is probably one of the most unromantic starts to a romance I've ever read. A hero who has a serial history of paying for mistresses for six months for the better part of ten years but is so tied up and proper, they can't even call him by his first name? The heroine interviewing for him naked? No thanks! She's not allowed to touch him or be seen with him and has to call him, Mr. Nakamura. She does all the work in bed?

No is really unsympathetic and actually rather robotic at the beginning. I don't even understand why he would hire mistresses. He seems like he shouldn't even have a sex drive. He is so tied up and controlled, it's hard to believe that he could fall in love with a woman. Much less have sex with so many women. Perhaps that's his only outlet, but I would have found this more believable if he had actually been more reactive in bed. I get where the author was going with this. She wanted us to see how being with Ana changes No, and how she was different from other women. She wanted Ana to stand out from the crowd, but it was too gradual for my tastes.

Lili/Ana I liked from the beginning. I have to say she really loves her brother and niece. I don't know if I could interview naked to be some rich guy's mistress for my family. Thank God I haven't had to do that! She does have a sense of innocence, but at the same time, she is remarkably blase' about the paid sex thing. I think without her internal monologue, I would have been very confused.

Japan seems very real in this book. I felt as though the author is very well acquainted with it and rather in love with the country. I've read books set in Tokyo, but not in Osaka. It was lovely to get introduced to that city. It's always good when you read a book and it makes you feel like you're visiting the place.

Now, I am the biggest Harlequin Presents fan on the planet, and the mistress scenario is a big plot in that line. I can't say I've ever been a huge fan of mistress stories, but I'm not averse to a preposterous plotline that works well. It was certainly something different. Overall, despite it's start and some parts that I didn't gel with, I walked away from this book satisfied. I wasn't sure I wanted to read it, but I was intrigued, so I read a sample on my Kindle. I ended up borrowing it from Amazon and finishing it in less than 24 hours. That says a lot right there.

As to the sex. I think that the initial sex scenes are way clinical to me, and I didn't like the thing that No would do to make Lili climax. All I can say is 'ouch!' I didn't care much for the blunt sexual language. I'm not a big fan of that. It's not that romantic to me. I'm fine with descriptive sexual scenes, but not with some of the descriptors. Lust is easy to find, but where's the love and romance?

I really love Asian guys. It's a huge surprise to me how much No didn't appeal to me for the first part of the book. He did start to appeal to me when he gets mad and decides he wants revenge. He actually starts acting like a human being and not a robot at that point. I like pissed off No much more than Billionaire, Proper Japanese Businessman with an Erection But No Other Emotions No. I liked how he changes and thaws and starts reacting normally. I know that his family is seriously screwed up. I realize that Japanese culture is very rigid in expressing emotions and requires strict public etiquette. I liked him much better after he comes to the US to start a company with his friend and to get revenge on Lili/Ana and his father. Angry No is Hot No. At the beginning, I didn't find him attractive because he seemed so emotionless. I did kind of like how proper and buttoned up he was, but I would have preferred if he turned into a wild man in bed instead the way he has sex with Ana for their six months together. I also liked how he nursed her when she was sick and how he seemed to want to spend more time with Ana, despite his intentions. While I normally like a coldly ruthless hero, I think No didn't work for me at the beginning because he wasn't cold in the still waters run deep, but too robotic acting.

One thing that made this book stand out, but in some ways had a problematic execution was the thread of suspense/thriller that ran through it. I had no idea how cutthroat the Japanese businessworld is, at least based on this book. I don't know how much of that's true, but the fact that No's family is samurai on both sides gives their behavior an authentic feel. When you find out how truly heinous the behavior of a certain person is, it's chilling. This makes for a much darker than book that one would expect. I think it was problematic in that some of the action aspects weren't well described. I'm picky about action scenes, because it's a huge love of mine. And when you throw in katana-wielding ninja and samurai, my expectations go up very high. But, despite that, I found it charming.

I like over the top when it's done well. The OTP in this book was done charmingly. I could have been a little better executed, if I'm honest. But despite that, I did have a smile on my face when I finished the book.

I have been hard on this book, and i realize that. I do think Ms. Taylor is a gifted author. I have such a deep love for interracial romance, I am hard on the genre. I hate that the romance part seems to be taken for granted. I think Ms. Taylor seems believe in romance, but with a bit of a more jaundiced eye than I would like. I'm excited to read His Pretend Baby: 50 Loving States, Oregon

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Sunday, May 17, 2015

Wolverine: Back in Japan by Jason Aaron (Text), Adam Kubert (Illustrations)

Wolverine: Back in JapanWolverine: Back in Japan by Jason Aaron

My rating: 3.5 of 5 stars


Pretty good.  Lovely color and artwork.  Crazy action.  This is the Wolverine that most will know and love.  Some interesting twists with Mystique and the dicey situation between the Hand and the Yakuza, and our esteemed hero in the middle.  Things get a little confusing towards the end. But overall, stays pretty coherent and there is no disconnect between the script and the artwork.

Overall rating: 3.5/5.0 stars.



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Sunday, March 01, 2015

Fairest Volume 2: The Hidden Kingdom by by Bill Willingham, Lauren Beukes, IƱaki Miranda (Illustrations)

Fairest, Vol. 2: The Hidden KingdomFairest, Vol. 2: The Hidden Kingdom by Bill Willingham

My rating: 4.5 of 5 stars


Once again, Bill Willingham and company have created a fresh spin on a fairy tale. And he takes Rapunzel to a very adult and at times disturbing journey to the Land of the Rising Sun. 

Rapunzel has been looking for her children for many, many years.  Even though she was forced to forget them, she never really does.  That was a poignant note in this story.  An interesting touch was that Rapunzel's hair grows continually, and she experiences very rapid growth spurts of her hair under strong emotion.  You can guess how that plays into the story! Her companion is one of the Crow brothers, who is also her hairdresser.  Her time in Japan opens the doorway to a story full of Japan's very imaginative, and in some ways very frightful folklore. 

If you're like me and Japanese horror movies scare the you know what out of you, you might find this volume therapeutic.  There is an interesting twist on the drowned maiden in the well.  And I will never look at hairballs the same way again. 

There are some dark elements in this one, probably the most out of all the Fables/Fairest volumes I've read, so reader beware.  Having said that, I loved it just as much as the other ones. Rapunzel is both sympathetic and at times, really kind of scary.  I've never thought much about her, so this volume definitely has me seeing her in a different light.

Overall rating: 4.5/5.0 stars



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Saturday, May 11, 2013

Stormdancer by Jay Kristoff

Stormdancer (The Lotus War, #1)Stormdancer by Jay Kristoff
My rating: 4.5 of 5 stars

Stormdancer has such a distinctive feel that impacted me as a reader. The mix of rich Japanese-like culture and folklore with a dystopian twist. The main character is a brave but troubled young woman who earns my loyalty and encourages me to stand up for what I personally believe in.

But the one thing that really won me over was the connection between Yukiko and the arashitora, who she names Buruu. I’ve been an animal person since I was a wee lassie, and the bond between humans and animals is very important in my life. To see the love and trust that grows between Yukiko and Buruu, and their devotion almost brought tears to my eyes, because I am a true sap about stuff like that. Buruu is a majestic and beautiful creature, although fiercely lethal and untamable, as a legendary creature should be. I loved that although Buruu doesn’t tame down or change in his essential nature, he grows as the bond with Yukiko develops. They teach each other things important for their journey.

The world of the Shima Isles is a dark one. The place hovers on the brink of ecological disaster, and many crimes against humanity occur daily. The Shogun is clearly mad, and his power without limitation. On top of that is the Guild, which strives to make more of their poison lotus, despite its cost to their world and the people within it, and burns people who they view as heretics, probably all of which are innocent. In this kind of world, it’s hard to have hope, which is why Yukiko begins this story as a sullen and miserable young woman. She’s lost more than she can reconcile, feels the personal sting of betrayal daily, and it’s wounded her emotionally. What a good time for Buruu to come along, although their connection is not without anguish for them both. But in this world, personal sacrifice is necessary to right the terrible wrongs occurring. In the end, they are healing and comfort and safety to each other in a dark place. Together, they will not be defeated.

Stormdancer is a very good book. While it took time for me to get into the flow of terminology and world-building, I appreciate the author’s efforts to create such an immersive, fascinating world. The Japanese cultural elements appealed highly to me. Of course, I loved the strong young heroine, among many strong capable women who fight for their world just as the men do. The action scenes brought to mind some of my favorite martial arts/fantasy movies. I admit I am a serious fan of swordplay, and this book has some beautiful and bloody evidence of this martial art, along with others. I could see this is a gorgeous anime-style film, but I hope that it is made in live action, with its all Asian cast. I would definitely pay money to see this on the big screen.

While I agree that is definitely for young adults and for older readers who enjoy young adult fiction, I like that Kristoff doesn’t curtail his writing merely to fit in the current YA trend. The violence is quite descriptive and there is some sensual content (although fade to black). The storyline is quite dark, with the ecological sabotage for power and money, the cruelty and violence against so called enemies of the state, and the disregard for the welfare and needs of the citizenry. I think there are good lessons in here, although I don’t think Kristoff ever strays into PSA territory. It’s inherent and beautifully integral to this novel. Personally, I think this book is fine for readers 14 and older. However, I would recommend a parent reading it first.
This one is very close to a five star rating, but since some scenes lacked clarity, I ended up giving it 4.5/5.0 stars. Despite that, I highly recommend it to dystopian, fantasy, and Asian folklore fans.


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Friday, April 19, 2013

Daughter of the Sword by Steve Bein

Daughter of the Sword (Fated Blades, #1)Daughter of the Sword by Steve Bein
My rating: 5 of 5 stars

I don't use the term brilliant much when I'm writing reviews. But this is the term that just keeps coming to mind about this book. I knew I'd appreciate it, because I have an appreciation for Asian culture and people, and swordsmanship; and honestly, something about a book with a woman holding a sword on the cover just pulls me in.

This book speaks to me of a writer who loves Japan, both modern and ancient. Someone who has taken the time to investigate and learn the culture, even to the deepest levels. You can't gain that kind of authenticity any other way.

Bein has taken an idea about three swords crafted by a legendary swordsmith and created a beautifully rich novel around them. While this is labeled as fantasy, the fantasy element is that the swords have animus and their very natures affect the destiny of those around them. Bein cleverly unfolds his story with a combination of past and present narrative. I was a bit worried I would find the historical parts dry, but I didn't. It was fascinating. I realized how little I know about samurai and how bushido affects everything about their lives. The insight into this period was crucial in this novel, because the swords are over nine hundred years old. Since I haven't even lived in cities that old, I can't even conceive of owning something that old! But for a Japanese person, not such a stretch. Now add in the fact that these swords have shaped history in major ways!

It takes some skill to make an inanimate object sinister. But that's exactly what Beautiful Singer is. It's a sword that takes over the owner's mind and leads him hand and headfirst down the path of doom. This is why I don't go in for antiques! The other two swords have their own distinctive natures as well. What was interesting is that the swords can’t make you into something you’re not. They seem to work on the inherent nature of the person. This destiny attached to these swords brings Mariko Oshiro to the front door of elderly Professor Yasuo Yamada, who is the owner of a sword that a violent Yakuza criminal tried to steal. This twisted path could only be destiny, as all the forces send her in the direction of a deep bond with the nearly blind expert swordsman, who takes her on as a student. Because she is the only one who can stop Fuchida, a man who has been seduced by the voice of his own sword, Beautiful Singer.

This book is just so good. It’s amazing how the story just drew me deeper and deeper. I wanted to find out about how these three swords could draw people into relationship with each other from historical to modern times, and not always in a good way. But ultimately, the right people end up in the right places, until we end up in the present with Mariko and Yamada’s story.

If you’re looking for an over-the-top fantasy story with all kinds of out there scenes, this isn’t the book. If you want a book with an excellent narrative building on a concept that seems magical, if you don’t believe in swords that are blessed and cursed, then you’d enjoy this book.

The cultural aspects had major appeal. As I mentioned earlier, the look at bushido and historical samurai was a good learning experience. But equally important was the view into modern Japan. I especially appreciated that the main character was a Japanese woman, who dealt with a society which is profoundly sexist, and she was driven enough to fight for what she wanted and needed in life, even as she ran into stumbling blocks of prejudice within her own agency, the Tokyo Metropolitan Police Department. I admired her drive and determination. I also liked seeing the walls come down between her and Yamada, as she realized that this old man was what she was missing from her life, the companionship and the belief in her that he offered. Yamada, I adored him! No words! I can easily see why Mariko came to love him so much. Relationships can be pigeon-holed because it is the natural way of humans to classify what is hard to define. But they are so complex. They provide what we need in this life in a way that goes way beyond labels. That’s how Yamada and Muriko’s relationship impacted me. And also Keiji and Hayano’s back in the 40s. Heck, all the stories added so much texture to this book.

My feelings for this book are so intricate, that I’m having trouble putting them into words. So I’ll just end by saying I just loved this book so much. It may not hit you the same way, but I hope that others find something to offer them in Daughter of the Sword.


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