Watchmen by
Alan Moore
My rating:
4 of 5 stars
I gave this four stars, but my feelings about this book are difficult to coalesce down to a simple numeric rating. I read this with my Readings in the Graphic Novel course, and I agree that it is seminal graphic novel/comic reading. However, there are some things about this book that I didn't care for. Ultimately, I would say that like and dislike are not the best terms to apply to it.
"Watchmen" started a whole ripple through comic book/superhero fiction that is still profoundly influential in the many years since it was published. The dark and aheroic/antiheroic superhero/crimefighter motif that subsumed what we know about comic books in the 21st Century can largely be attributed to this book, although Frank Miller's
Batman: The Dark Knight Returns is also essential. I like darker superhero stories, but some aspects of this one made it hard to sympathize or care for many of the characters. I had to write essays for my class on our readings, and I have some longer opinions on this book that I intend to post on my Goodreads profile under my writings.
This book is very thought-provoking and my class had some very interesting discussions on it. I have to also say that I thought about it for a long time after I finished it. My viewpoint evolved on a few of the characters as well. However, some, I hated to the very end. I could actually write about 20 pages about this book, but I won't. I'll try to coalesce it into a reasonably short review.
"Watchmen" is essentially a murder mystery with masked crimefighters/superheroes. The narrator is extremely atypical, the very questionable person of Rorschach, who is a violent vigilante that wears a hood that changes its expression, much like the Rorschach Test his mask resembles. He is determined to find out who killed Eddie Blake aka The Comedian, an original member of the Minutemen, who later became part of the Crimebusters. He goes to visit other former members: Dan Dreiberg (Nite Owl II), Jonathan Osterman (Dr. Manhattan) and Laurie Juspescyk (Silk Spectre II), and Adrian Veidt (Ozymandias) to warn them that they might be next. Along the way, the reader gets to experience how conflicted the life of a masked crimefighter and/or superhero/villain is. The story is set in an alternate history where Nixon was never caught in the Watergate scandal, the US won the Vietnam War, and in the 1980s, America and the Soviet Union are on the brink of war (the Doomsday Clock frighteningly close to midnight).
Each character has a slightly different perspective of how the passage of the Keene Act made their crimefighting work illegal. Dan and Laurie bond over missing the excitement of it all. Veidt has gone on to build an huge business empire and is a celebrity for his incredible level of fitness. Dr. Manhattan is mostly interested in his research and has become disconnected from human concerns, an issue in his relationship with Laurie, who has been his girlfriend for about twenty years (since she was sixteen).
Intertwined with the overarching story is a subplot about a kid reading a pirate comic. The adventures of the comic protagonist mirror the overall story themes. A huge part of this story is how heroism is not what its cracked up to be. Also, becoming strong enough to achieve a goal can be a path paved with destruction, and in some instances leading to the 'hero' becoming a 'villain'. And really, what is heroism? That's a question posed for every lead character. Since this is a dark, and in some ways, nihilistic-toned work, the answers aren't encouraging. The Comedian is one of the most wretched examples of someone having abilities and using them for bad purposes. The Comedian is an incredibly adept fighter and soldier, but is also very corrupt, acting as a bully, knowing right and wrong but not doing it. He makes excuses for the evil things he does because the world is bad and it's going to burn anyway, essentially. Dr. Manhattan, Jon Osterman is a physicist whose body was obliterated in an accident at the science testing facility where he worked in 1959. When he comes back, it is as a being with seemingly godlike powers that separates him from the rest of the humans he once interacted with, eventually leading to his breakup with his girlfriend. The US government exploits his powers to exercise dominance over other nations (in fact, he's part of the reason that Vietnam surrendered). He's seen and done some of the worst things to other humans, which doesn't help his cynicism about the better parts of humanity. At the point that this story begins, his only tendril of contact is through Laurie. Eventually, that's gone as well when Laurie breaks up with him.
But when it's clear that the world is on the brink of obliteration, Laurie has to convince him to care again.
The more I ruminated about this story, Osterman/Manhattan became more of a sympathetic character to me. He seems the less empathetic, but in some way, he strikes me as feeling more deeply than anyone else. I can completely understand his decision to retreat to a self-built crystal castle on Mars. Sometimes I wouldn't mind having me own, but probably in the mountains in some undiscovered cold part of the world with plenty of snow and ice. People are exhausting. It hurts to care, especially when others aren't all in with you. The circumstances of the accident that gave him his powers were heartbreaking, and he was abandoned to his fate. That's soul-destroying right there. Having said that, he's not off the hook for the questionable things he did and how he treats Laurie.
Ugh, Rorschach. Where do I start? That dude is a bucket of crazy. I feel for what he went through as a child, but it twisted him until he was so broken. All of us are f*&%$! up, but there's no fixing him. He represents the worst of self-righteousness. He's so rigid in his sense of right and wrong that he won't compromise, but then he is bigoted, racist, has poor hygiene and litters in Antarctica. His contempt and mean treatment of his landlady because she has six kids by different men. And he's extremely violent. It's a huge Glass Houses kind of scenario. To me, he is not a hero. He is an antihero, and he's the narrator, but other than the horrors of his childhood, it's really hard to feel sympathetic. While there are parallels between him and other vigilante crimefighters I admire like Batman and Daredevil, his core feels rotten to me. I can't get past that.
Laurie is just plain underwritten. She is interpreted through her relations with the male characters. I am grateful that graphic novels have matured and evolved past this kind of writing, frankly. Laurie could have been a lot more interesting a character if deeper layers to her persona were made available. Just delving into how her stint as Silk Spectre differs from her mother's tenure. How interacting with and in a world of violence has changed from the 30s to the 60s and 70s. Maybe just not stopping at her relationships with men and why her mother and her don't get along.
Dan is honestly a bit on the underwritten side as well. He's written a good-natured guy with a facility with gadgets and a desire for action. His mid-life crisis has to do with missing that sense of purpose and it translates to feelings of inadequacy about not being Nite Owl anymore. Maybe because Moore didn't really know what to do with a guy who is more or less 'normal'.
Veidt is such a sneeringly superior person in his own mind. I can't say too much because I'd reveal some things better left to be read. Suffice it to say that he reminds me of the so-called polite white supremacy that is increasingly in vogue (especially since the 2016 presidential election).
Another issue is the treatment of the GLBTQ characters. Many meet unfortunate ends and their peccadillos are looked at as being unforgivable in a way that being a violent sociopath, bully or rapist are not.
I think a psychology doctoral student could write a hell of a thesis on this book.
There is so much cynicism in this book. It's hard to take in. Some ugliness not easily forgotten. I feel like the psychiatrist who interviews Rorschach in that sense. While I'm not necessarily into the sugary sweet kind of fiction writing, I think it can definitely go the wrong way with the dark and dreary. I'd be a hypocrite to disavow this book. I think it had some insights to give me, and something to offer as far as story and artwork. I gave it four stars because to give less didn't seem fair to me. I couldn't say it was life-changing or a graphic novel that would make the top of my list. I can understand why it would for some though.
So much for a concise review.
View all my reviews
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